III/IV
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Customer Review
Repeated listening rewards
I guess I'm in the minority here but this is one of my favorite albums he's put out with the Cardinals. Great Replacements style rock with some of his best guitar driven hooks and the tone of the guitars on this record is great.The diversity is what is probably what is off putting to most listeners but this is an album that needs to be heard 5,6, or so times for the hooks to really sink in. Unlike Rock and Roll where the hooks were immediate and very quickly to get old this is a great guitar fueled masterpiece.I don't know we all like different sides of the artist and personally this is one of my favorites as I really thought Cardinology, Follow The Lights, and to a lesser extent, Easy Tiger, were boring and sub-par efforts.III/IV is a welcome return (from the vaults) and easily trumps the previous three releases a winner on all counts.
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Product Description
In 2007 Ryan Adams and the Cardinals entered Electric Lady recording
studios on 8th street in NYC and went in for a session intended to
last two weeks. Six months and over 60 tracks later, they emerged
with the album Easy Tiger. But it was only a glimpse into the depth of
the work the band had undertaken and the vast amount of material
that was recorded.
As the sessions wound around into the deep winter months a
double album emerged, a rock record that felt more like a hybrid of
all the records that the band had mutually consumed as kids...
from influences as wide as KISS and The Cars.
Originally hidden away in the vault while the band hit the road to
support Easy Tiger, and now for the first time here in its entirety is
the Cardinals second double-album concept rock opera about the
80's, ninjas, cigarettes, sex, and pizza.
Enjoy volume III/IV, by Ryan Adams and The Cardinals, from the
turning point in the classic line up of the band featuring....
Catherine Popper on bass (her last with the band), Neal Casal
on guitar and vocals (his first with the band) Brad Pemberton on
the drums, Jon Graboff on the Steel Guitar (as well as a few
other things) and Jamie The Candyman Candiloro on piano and
synths, here producing again as well. Top to learn more
Ryan Adams & the Cardinals - Present a "concept rock opera about the 80s, ninjas, cigarettes, sex and pizza"
Can an artist record too much music? It is certainly an accusation thrown with monotonous regularity at Ryan Adams. Equally he divides opinion between those who see him as a precocious and prolific alt country genius who has recorded such masterpieces as "Heartbreaker" and "Gold" or alternatively a bratty, gabby, irritating rock star who sacrifices quality for quantity. (I'm in the first camp but understand the latter accusation!) Since his recent "retirement" from music it has been relatively quiet on the Ryan Adams front and despite a few singles on the Pax Am label and the oddball, sci-fi metal one-off "Orion" earlier this year there has been a complete absence of new material. It is therefore a very welcome development that we have this "taking stock" release in the form of a double album with his band the Cardinals entitled III/IV which Adams describes as a "concept rock opera about the 80's, ninjas, cigarettes, sex, and pizza". Ok its not that funny but it does accurately...
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One of his more accessible albums
I think that it's easy to compare this album to the previous album Rock N Roll. First off, I happen to be one of the few people that actually liked Rock N Roll. Most of the die hard Ryan Adams fans hated that album. Well, my opinion, this album is better than Rock N Roll. It has a similar sound, but the songwriting is more consistent. Ryan clearly loves the Replacements, and it shows on this album. But I think that he could write a decent set of songs in any genre.If you want to hear 21 well written songs inspired by the Replacements, then get it. If you liked Rock N Roll, then you should love this.
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Self-Indulgence or Art -- Let's Split The Difference
